 |
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
|||||||||||
 |
 |
|
||||||||||
 |
 |
 |
|
|||||||||
 |
|
|||||||||||
 |
 |
 |
 |
 |
 |
|
||||||
 |
 |
 |
 |
 |
|
|||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|||||||||||
|
|
|
||||||||||
|
|
|
|
|||||||||
|
|
|||||||||||
|
|
|
|
|
|
|
||||||
|
|
|
|
|
|
|||||||
 |
 |
||||||||
O Uchi Gari - into: |
|||||||||
|
Renzoku Waza O-uchi-gari into Ko-uchi-gari, or the same in the reverse would be the 'classic' counter - one that all judoka will have probably attempted on the move 'down the mat'. Simply, the attack of O-uchi-gari is faulted by the uke's weight distribution to the other leg, leaving them open to an attack of Ko-uchi-gari. | |||||||||
|
|||||||||
